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#1 2024-03-05 18:21:25

Jai Ganesh
Registered: 2005-06-28
Posts: 47,414

Echo

Echo

Gist

Echo is

i) a repetition of sound produced by the reflection of sound waves from a wall, mountain, or other obstructing surface.

ii) a sound heard again near its source after being reflected.

Summary

An echo is a repetition or imitation of sound. When sound waves hit a hard surface they might reflect, making the sound bounce and repeat. If you agree with someone, you might echo his or her statement.

Poet Don Marquis said, “Writing a book of poetry is like dropping a rose petal down the Grand Canyon and waiting for the echo.” The word echo came from the Greek word for "sound." In Greek mythology, Echo was a nymph who could only repeat the last words of others. You were frightened when you thought someone was following you, until you realized you were only hearing the echo of your own footsteps.

Details

In audio signal processing and acoustics, an echo is a reflection of sound that arrives at the listener with a delay after the direct sound. The delay is directly proportional to the distance of the reflecting surface from the source and the listener. Typical examples are the echo produced by the bottom of a well, by a building, or by the walls of an enclosed room and an empty room.

Etymology

The word echo derives from the Greek ēchō), itself from (ēchos), 'sound'. Echo in Greek mythology was a mountain nymph whose ability to speak was cursed, leaving her able only to repeat the last words spoken to her.

Nature

Echolocation organs of a toothed whale, which produce echoes and receive sounds. Arrows illustrate the outgoing and incoming path of sound.

Some animals use echo for location sensing and navigation, such as cetaceans (dolphins and whales) and bats in a process known as echolocation. Echoes are also the basis of sonar technology.

Acoustic phenomenon

Acoustic waves are reflected by walls or other hard surfaces, such as mountains and privacy fences. The reason of reflection may be explained as a discontinuity in the propagation medium. This can be heard when the reflection returns with sufficient magnitude and delay to be perceived distinctly. When sound, or the echo itself, is reflected multiple times from multiple surfaces, the echo is characterized as a reverberation.

The human ear cannot distinguish echo from the original direct sound if the delay is less than 1/10 of a second. The velocity of sound in dry air is approximately 343 m/s at a temperature of 25 °C. Therefore, the reflecting object must be more than 17.2m from the sound source for echo to be perceived by a person located at the source. When a sound produces an echo in two seconds, the reflecting object is 343m away. In nature, canyon walls or rock cliffs facing water are the most common natural settings for hearing echoes. The strength of echo is frequently measured in dB sound pressure level (SPL) relative to the directly transmitted wave. Echoes may be desirable (as in sonar) or undesirable (as in telephone systems).

Use of echo

In sonar, utrasonic waves are more energetic than audible sounds. They can travel undeviated through a long distance, confined to a narrow beam, and are not easily absorbed in the medium. Hence, sound ranging and echo depth sounding uses ultrasonic waves. Ultrasonic waves are sent in all directions from the ship and are received at the receiver after the reflection from an obstacle(enemy ship, iceberg, or sunken ship. Using the formula d = (V*t)/2, the distance from the obstacle is found. Echo depth sounding is the process of finding the depth of the sea using this process.[citation needed] In the medical field, ultrasonic waves of sound are used in ultrasonography and echo cardiography.

Echo in music

In music performance and recording, electric echo effects have been used since the 1950s. The Echoplex is a tape delay effect, first made in 1959 that recreates the sound of an acoustic echo. Designed by Mike Battle, the Echoplex set a standard for the effect in the 1960s and was used by most of the notable guitar players of the era; original Echoplexes are highly sought after. While Echoplexes were used heavily by guitar players (and the occasional bass player, such as Chuck Rainey, or trumpeter, such as Don Ellis), many recording studios also used the Echoplex. Beginning in the 1970s, Market built the solid-state Echoplex for Maestro. In the 2000s, most echo effects units use electronic or digital circuitry to recreate the echo effect.

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